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Nathan Stark

Nathan StarkNathan StarkNathan Stark

BASS-BARITONE

BASS-BARITONEBASS-BARITONE

“Guess who played Larry King? Nathan Stark, showing his versatility and superb comic acting abilities, jutting out his jaw and fooling with his glasses, rolling up his sleeves, pulling at his red suspenders, twisting his mouth, asking potentially revealing questions that the women refuse to answer.”


Angela Allen, Oregon ArtsWatch, August 2023 (Dark Sister

"With his chin jutting forward and a look of commanding self-righteousness, bass-baritone Nathan Stark brilliantly captured the firm and unshakable Prophet. He then turned the tables, and electrified the audience as the gruff and incredulous King."


- James Bash, OperaWire, September 2023 (Dark Sisters)

“Few singers can act with their voice as well as Stark, and no one is better than him at commanding an audience.”


Jim Sohre, Opera Today, June 2022 (Harvey Milk)

"Bass-baritone Nathan Stark does marvelous work with three roles: the flamboyantly gay German, Horst; a tough Irish teamster; and, most especially, Mayor George Moscone. This latter role he fills with wonderfully forceful life as a charismatic, glad-handing politico."


- Steve Callahan, Broadway World, June 2022 (Harvey Milk)

“As a simultaneously scary and funny Sorcerer dedicated to tricking Aeneas into believing the gods have ordered him to leave, bass-baritone Nathan Stark came close to stealing the show with his almost-campy portrayal and powerful vocalism.”


Lisa Hirsch, Opera News, December 2021 (Dido & Aeneas)

“On the comic side, meanwhile, bass-baritone Nathan Stark’s explosive turn as the harem-keeper was a tour de force of theatrical and vocal impact — his singing robust, his stage presence irresistible.”


Joshua Kosman, San Francisco Chronicle, August 2021 (Elioga

"Bass-Baritone Nathan Stark is a hilarious Doctor Bartolo, displaying unsuspected majorette-style twirling skills with his cane."


- Sarah Byran Miller, St. Louis Post-Dispatch, May 2019 (Th

"Although Caruso addressed the demands of the four principles, there is a fifth requirement for a fine Trovatore, namely Ferrando, who has the unenviable of setting up the whole unlikely scenario in his lengthy opening appearance. Luckily, local favorite Nathan Stark conquered in that daunting respo


- James Sohre, Opera Today, February 2020 (il Trovatore)

 "Excellent work is done by Nathan Stark as the very comic Dr. Bartolo."


- Steve Callahan, Broadway World, May 2019 (The Marriage of


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